Announcing “Reply All,” the 2015 VCS open studios on Friday, May 1st from 5 to 8 pm

Reply All

ra
Join us for the BFA Visual & Critical studies Spring 2015 Open Studios along with the inaugural installation at the VCS Gallery on the ground floor.

Friday, May 1st, 2015, 5-8 PM
133 West 21st Street
New York, NY 100011

VERONIKA BABAYAN / TAYLOR BAKER / HARRIS BAUER/ CONNER CALHOUN  LILYANN CHEN BRITTANY COTA / CARMELA D’AGOSTINO / ISABEL DAHL
JOSEPH DESENA / ASHLEY ELMA JENNETTE JUNE / ASPEN KINCAID
JINHEE KWAK / MONICA LO / SHAWN MCCARNEY / CARISSA MELILLO
TEREZA MELKOVA / KATRINA MITILENES / LAUREN ORSCHELN
LILY ROCHELISA SABOE / JULIA SANTOLI / DEVON WATSON
RACHEL ZARETSKY / LEILA ZHANYBEKOVA

WITH A SELECTION OF WORK FROM VCS FRESHMEN, SOPHOMORES AND JUNIORS.  SPECIAL PERFORMANCE BY JULIA SANTOLI AT 7 PM.

Artwork by Conner Calhoun
Animation by JinHee Kwak

For additional information and announcements, visit the Reply All Facebook page.

Here are two previews of the installation in the new ground floor VCS Gallery, courtesy of the VCS Instagram page and VCS Twitter.

VCS gallery 2
Preview of work by Devon Watson and Brittany Cota currently on view at the #VCSGallery in SVA’s Flatiron Building @ 133 W 21st st. Come bye and check it out!!!! #visualcritical #artinchelsea #onview #nycgalleries

 

VCS gallery 1
A preview of works by JinHee Kwak and Conner Calhoun currently on display at the #VCSGallery at SVA’s Flatiron Building @ 133 w 21st st #visualcritical

 

Carissa Melillo in The Visual Opinion

VO

VCS student Carissa Melillo has a short poem in Conflict, the latest issue of the student-run magazine The Visual Opinion. Here are a couple shots of Cari’s contribution:

Cari1

 

Cari2

More information about The Visual Opinion and images from past issues can be found on the magazine’s Facebook, Tumblr, and Twitter pages.

Video of “Sadequain: A Talk by Saiyid Ali Naqvi” now available online

title

A video of last week’s lecture “Sadequain: A Talk by Saiyid Ali Naqvi” is now available online on YouTube and iTunes U. You can view it by clicking on the preceding links or either of the screenshots below.

Saiyid Ali Naqvi
VCS Department Chair Tom Huhn and Saiyid Ali Naqvi during last Monday’s talk.
Meditation 1956
One of the slides from the lecture.

This Saturday, April 11th at The New School: Assuming Boycott: Resistance, Agency, and Cultural Production

Tomorrow (Saturday, April 11th), VCS faculty member Kareem Estefan will take part in Assuming Boycott: Resistance, Agency, and Cultural Production, a colloquium hosted by The New School’s Vera list Center for Art and Politics:

Vera List Center

Ahmet Ögüt, Pleasure Places of All Kinds; Fikirtepe Quarter, 2014. Sculpture, mixed media, 60 x 60 x 28 inches, private collection, Amsterdam. Photo courtesy the artist.
Ahmet Ögüt, Pleasure Places of All Kinds; Fikirtepe Quarter, 2014. Sculpture, mixed media, 60 x 60 x 28 inches, private collection, Amsterdam. Photo courtesy the artist.

Boycott as a political and cultural strategy has rarely been more prominent than in our current moment. From art institutions and universities, to cities and entire countries, many have been affected by positions that pose as “withdrawal” or “disengagement” and in fact often result in various actions and pointed engagement around a specific issue or question.

This colloquium concludes a year-long cycle of seminars and programs on cultural and academic boycotts as special conditions for discourse and art making, organized by the Vera List Center for Art and Politics at The New School starting in spring 2014. The seminars addressed timely questions of the agency of artists in the social and political sphere, and how culture can enact and perform change within a politics of disengagement.

Building on the themes and examples discussed in these seminars, Assuming Boycott: Resistance, Agency, and Cultural Production brings new voices to join previous speakers in articulating a way forward for future boycott movements. Conceived as a concluding strategy session, the afternoon is divided into open discussion sections with all colloquium participants around three topics, introduced by short prompts by the invited speakers, among them Joslyn Barnes, Noura Erakat, Pato Hebert, Maria Lind, Ahmet Öğüt, Omar Jabary Salamanca, Dread Scott, Radhika Subramaniam, and Chen Tamir.

Examples abound of contemporary artists holding institutions, exhibitions, and projects accountable for their practices. Via labor issues in the United Arab Emirates, funding structures of the biennials in Sidney or São Paulo, participation in the 2014 Manifesta in Saint Petersburg, and calls to renew a cultural boycott of Israel – artists are leveraging their power to shift the ways culture is produced on individual, civic, institutional, and educational levels. In anticipation of a forthcoming publication, Assuming Boycott focuses on key texts developed during specific campaigns and the shifts in language and implementation of their principles, over time, to reflect changing contexts. Above all, the colloquium seeks to explore how strategies, alliances, lead actors, and guidelines have responded and adapted to a changing cultural, political, and economic environment.

Kareem will moderate the following panel discussion during the 3 to 5 pm session:

Boycott, Divestment, Sanctions Against Israel
Initiated by members of Palestinian civil society in 2005, the Boycott, Divestment and Sanctions movement that was reignited in recent years has gained newfound traction in the face of unrelenting Israeli oppression. Throughout the life of this decade-long movement, targets and strategies for disengagement have been hotly contested and frequently debated. The BDS movement remains sharply polarizing, underscoring its potential as a rallying point in Palestine/Israel relations, yet frequently obscuring the variety of nuanced positions on this movement. The BDS statement is being compared to initiatives opposing a boycott, and is examined in the context of a layered and complex matrix of resistance efforts.

Presenters
Noura Erakat
Omar Jabary Salamanca
Chen Tamir
And colloquium participants, moderated by Kareem Estefan

For a full schedule of the day’s events, visit the colloquium’s page on the Vera List Center website.

Assuming Boycott: Resistance, Agency, and Cultural Production will take place at The New School this Saturday, April 11th from 1 to 5 pm in the Alvin Johnson/J.M. Kaplan Building, Wollman Hall, 66 West 12th Street, 5nd floor in New York City. Admission is free; RSVP is requested at vlc@newschool.edu.

This Thursday, April 9th at 7 pm: “Body2Body,” an exhibition and launch party for the new artist-run space Global Committee

VCS student Rachel Zaretsky recently sent me the following message about Global Committee, a new artist-run space that’s launching later this week:

Julia Santoli and I are helping out with the launch of artist run space of artist Laura Cooper, who I met while working for Liz Magic Laser. I would hope to spread the word and increase the attendance of VCS students!

It is happening April 9th, 7-9pm at
Garis and Hahn gallery
263 Bowery, New York, NY

In her message, Rachel also said she’d love to hear from any other VCS students who would be interested in helping out with the event. If you’d like to lend a hand, you can reach her by e-mail at rzaretsky@sva.edu

Here’s more about Thursday’s event from the Global Committee website:

B2B

Barbara Hammer / Laure Prouvost / Shana Moulton / Molly Lowe / Andrew Norman Wilson / Ann Hirsch / Jenna Bliss / Juliana Cerqueira Leite / Jeremy Hutchison / Stephen Kwok / Laura Cooper & Ian Giles

‘Body2Body’ is the Off-site launch event for Global Committee; an evening featuring the New York premieres of new work by Laure Prouvost and Barbara Hammer.

Global Committee is proud to present installations, performances and video works by some of today’s most compelling international artists, at Garis & Hahn gallery; 263 Bowery, New York, NY 10002. Global Committee is a new artist-run project space, that will exhibit and connect international and national artists through a series of exhibitions and events.

What is the purpose of our bodies in the age of digital intimacy? How can we even ask a question that infers that the body may no longer be the primary vehicle through which we experience the world?

Global Committee is delighted to be presenting a new video by the Turner Prize-winning artist Laure Prouvost entitled ‘We Know We Are Just Pixels’ in which flickering images form a conversation amongst themselves. Discussing their existence and vulnerabilities, in relation to the viewer looking at them, the images want to be more than just pixels; they want to explore and exist outside of the machine upon which they are being played.

At 8pm Legendary filmmaker and artist Barbara Hammer will present new a performance entitled ‘Available Space’ where she explores the relationship of architectural space to image and the limits of the projector’s beam.

Live performances by Jeremy Hutchison, Stephen Kwok and Laura Cooper & Ian Giles engage with the body through mediated experiences, broken signals and collaboration. These works will be happening periodically throughout the evening – set your body clock and you won’t miss a thing!

Throughout the night enjoy a curated selection of recent video works by Shana Moulton, Molly Lowe, Andrew Norman Wilson, Ann Hirsch, Juliana Cerqueira Leite and Jenna Bliss. These works’ engage with how the body can be displayed and transported through film and video – flesh-like textures, whispering voices and pulsing images reach out and touch our eyes and ears, reminding us that we are still physically present even in this digital age of distant touch.

So slip into something sleek and place your body in our hands for the night  – Let’s get body to body.

 

LUX
Laure Prouvost’s video is shown in association LUX