VCS alumnus Jonathas Nazareth recently sent out an announcement of his new website, which features portfolios of his work in both video and fine art. In a brief bio, Jon provides the following information about himself:
From Rio de Janeiro, Brazil, but have spent most of my life in NY.
I am a painter and video artist. If I am not working on a commercial shoot or edit, I am in my studio painting and drawing.
I am profoundly inspired by Gustav Klimt, Egon Schiele, Mary Frank, Henri Matisse, William Kentridge, among many others.
Here are a few selections from the site, along with excerpts from Jon’s comments.
This is my reel with some of my favorite projects from the previous years. These were projects I worked on in different capacities: producer, editor, assistant editor, and After Effects. The song is an oldie but a goodie by Holy Ghost.
Today’s post is a follow-up to Tuesday’s announcement of Julia Santoli’s Alumni Scholarship Award. Earlier this week, Julia sent me the following information about an upcoming performance project she’s working on:
I’ve recently been a confirmed to perform at Ende Tymes Festival of Noise and Abstract Liberation at Knockdown Center this coming May, and will be doing a piece in collaboration with sound artist Maria Chavez. I will be doing something in relation to my thesis performance–creating audio feedback in relation to a free-standing speaker, using a body microphone and gesture. The festival will include acts from dozens of noise musicians and sound artists, including both legends and newcomers.
More information about Ende Tymes is available on its website and an IndieGoGo page that’s just been launched to help fund this year’s festival. Here an excerpt from the IndieGoGo page:
THE ENDE IS NEAR!!
ENDE TYMES V is the fifth-annual celebration of NOISE, EXPERIMENTAL MUSIC, and VIDEO ART. This event provides an active environment for artists and fans to celebrate some of the best noise artists in the world. This year the festival will happen May 13-17 at venues in Brooklyn and Queens, NYC
Hosted by SILENT BARN, OUTPOST ARTISTS RESOURCES, and KNOCKDOWN CENTER, Ende Tymes V will present more than 60 artists over the course of 5 nights. The schedule is a densely packed lineup featuring a wide variety of street-level experimental music and noise art: harsh noise, avant-garde, drone, modular synthesis, and our personal favorite “unclassifiable.”
Ende Tymes is curated and produced by Bob Bellerue, an active member of the noise community for decades, who has been producing DIY events since the late 80s. He runs this as a labor of love with the aid of the incredible artists, the magnificent fans, a crackpot team of interns, volunteers from beyond the dawn, and the 3 awesome venues.
The events at each location have their own particular flavor. Opening night will happen at Knockdown Center, which is a huge art space in Maspeth Queens. This event will include performance and installation works played over multi-channel sound systems as well as a massive main PA. The installations will remain in place through the weekend. Silent Barn is located in Bushwick Brooklyn and is the original home of Ende Tymes. It is a raging collectively-run DIY music venue. The performances there run like greased lightning with new acts every 10-30 minutes in an intense and intimate environment. Outpost Artists Resources is located in Ridgewood Queens, and is a video art resource center. The work presented at Outpost will be video and film heavy, as they have a killer projector and screening room. The videos gathered from the public call for works mentioned below will be shown here. Each venue is thoroughly supportive of Ende Tymes on personal and institutional levels.
There’s a lot of additional information available on both sites, including archives of videos and press from prior festivals, and links to other writings about Noise Art.
I’ll post updates here as the festival approaches.
Yesterday the SVA Alumni Society sent out an e-mail announcing the recipients of its Alumni Scholarship Award for 2015, and we were very pleased to find out that VCS senior Julia Santoli is on the list of awardees.
Here’s a little more about the award from the Alumni Society’s announcement:
Each year the SVA Alumni Society awards scholarship funding to final-year undergraduate and graduate students in support of the completion of their capstone thesis/portfolio projects and/or components thereof. To be considered, students must submit an application, and also must have a GPA of 3.0 or higher and remain in good academic standing.
This year a record number of 289 students applied for funding. Fifty-four students were selected to receive awards, and $62,800 will be distributed from the Alumni Scholarship Fund and various memorial and named funds.
This Monday (February 23rd) at 6:30 pm, VCS presents the lecture “Reflections on Our Mimetic Heritage from Plato to Louis Vuitton” by Leo Treitler. The talk will take place in room 101C at 133-141 West 21st Street, and is free and open to the public. For more information, see this post from last week.
This Saturday, February 21st from 3 to 6 pm, VCS alumna Caryn Moriah will be participating in “Home,” a performance event at Queens Museum organized by PERFORMEANDO. The museum’s website provides the following information:
PERFORMEANDO (Spanglish word, coined by artist Hector Canonge in the context of Live Action Art) refers to the creation of an event, presentation, act, action, and/or artistic corporal expression. PERFORMEANDO is the first Performance Art project / program focusing on featuring works of performance artists who identify themselves as Latin/o/a or Hispanic living and working in the United States. Created in 2013, Canonge’s new initiative was launched in New York City based on his observations and reflections about the need to foster the production, development, and presentations of performance art works by artists of Hispanic origin.
PERFORMEANDO serves as platform for dialogue, exchange, and fosters collaborations based on the premise of experimentation and exploration of Live Action Art in the context of the Hispano-American experience in the United States. The presentations in the city and abroad have contributed to a better understanding of the concerns, experiences and creative processes of participating artists. Since 2013, PERFORMEANDO has been presented in collaboration with spaces in the NYC area in Brooklyn, Queens, and Manhattan. In 2014, the program was presented and introduced to worldwide audiences during the Month of Performance Art in Berlin, Germany. For 2015 PERFORMEANDO will broaden its scope reaching out to Latin America to work with artists from various countries who have been making an impact in the development of Arte Acción. The exchange of experiences, ideas, and practices in performance will further contribute to the growth of participating artists and independent art spaces in the Americas.
“Home” -PERFORMEANDO’s first event program for 2015 will take place at the Queens Museum. Participating artists have been selected from an open call invitation to explore the theme of “Home.” Works included in the program treat notions pertaining to questions such as: What is home? Where is home? Is home where the heart is or where the money is made? Is country analogue to the notion of home? How does one build notions of homeland?… The program consists of 15 min. performances created specifically for the event. Participating artists include:
Maria Builes (Peru) Susana Cortez (Mexico) Oscar Diaz (El Salvador) Raquel du Toit (Mexico) Camilo Godoy (Colombia) Ma. Fernanda Hubeaut (Argentina) Geraldo Mercado (Puerto Rico) Caryn Moriah (Puerto Rico) Lisa Parra (United States) Claribel J. Pichardo (Dominican Republic) Bryan Rodriguez (Peru) Collective Marea Granate (Spain)
Note: country in parenthesis denotes Hispanic heritage, and in many instances, not place of birth.